Карлос Кастанеда. Разрозненые материалы за 1994 год -
24 >
assert that ordinary and nonordinary reality aren't separate, but instead are encompassed in a larger circle -- and then to reverse himself the next day by insisting that the line between different realities must be respected at all costs. I asked him why this must be so. He answered, "Because nothing is more important to you than keeping your personal world intact." He was right. That was my top priority in the early days of the apprenticeship. Eventually I saw -- I saw -- that the path of the heart requires a full gesture, a degree of abandon that can be terrifying. Only then is it possible to achieve a sparkling metamorphosis. I also realized the extent to which the teachings of don Juan could and would be dismissed as "mere allegory" by certain specialists whose sacramental mission is to reinforce the limits that culture and language place on perception. This approaches the question of who gets to define "correct" cultural description. Nowadays some of Margaret Mead's critics declare she was "wrong" about Samoa. But why not say, less dogmatically, that her writings present a partial picture based on a unique encounter with an exotic culture? Obviously her discoveries mirrored the concerns of her time, including her own biases. Who has the authority to cordon off art from science? The assumption that art, magic, and science can't exist in the same space at the same time is an obsolete remnant of Aristotelian philosophical categories. We've got to get beyond this kind of nostalgia in the social science of the twenty-first century. Even the term ethnography is too monolithic, because it implies that writing about other cultures is an activity specific to anthropology, whereas in
